Boss CE-2w | The 80’s called and wants their Chorus back

It was August of 2015 when I declared my search for the classic 80’s Chorus over thanks to the MXR M234 Analog Chorus (NPD Review) and, although I did participate in the Source Audio One Series Tour Box in March of 2016 featuring their Gemini Chorus (Quick Review), it was not until this last month that I once again purchased a chorus pedal; the Boss CE-2w. With all of the praise it has received, I could not resist; this, and summertime presented the perfect opportunity to play around with my setup and gear.

The links above provide a quick glimpse into my quest to find a chorus pedal that, in blending the right combination of effect and tone, would provide the classic 80s + 90’s chorus I’ve come to appreciate. While often coming so very close, there was always a nagging feeling that I needed to continue my search.

At some point last year, I parted ways with the MXR Analog pedal; my infrequent use did not warrant keeping it on the board but, I’ve also learned a few tips and tricks along the way that opened up new opportunities for further exploration. One such trick; the ability to use the modulated delays and reverb algorithms on the H9 to achieve a more classic, rich and watery chorus than what can be achieved by using the ModFactor’s chorus (at least in my opinion). Here are two presets (link here) I recently shared that provide a very convincing substitute, if not better, than some of my previous chorus pedals. To note: in A/B testing, the Tri-Chorus preset actually compares favorably to some of the voicings of the Boss CE-2w.

A very helpful addition to my rig, now factored into the overall equation but not previously part of my setup, is the Source Audio Programmable EQ. Placed in the chain before the Chorus, if needed, the EQ can provide nuanced adjustments to the signal helping to facilitate greater flexibility between the various guitars and effects as they interact with the inherent voicing of the chorus. That said, with or without the EQ engaged, I have found the Boss CE-2w to have a very balanced EQ representation that provides warmth but retains clarity.

[Enter the Boss Waza Craft Chorus]

Perhaps to no one’s surprise, and certainly as covered in countless reviews and product demos, the new CE-2w washes over us with the classic 80’s & 90’s chorus effect. As a bonus, and what has become a signature approach of the Waza Craft series, we are treated to both the CE-2 and CE-1 Chorus implementations as well as the CE-1’s Vibrato mode.

Specific to the two difference chorus modes, both are excellent and have just enough difference in personality to make them feel unique. The CE-2 is voiced a touch darker/neutral and with a more subtle blend/mix of the effect; still plenty of movement if desired. The CE-1 is a bit more chimey and the effect tends to feel more present and articulate; note: there is a slight volume bump in this mode. In the past week off use, I have come to favor the CE-1 mode a bit more but equally enjoy both. As for the Vibrato, it’s a nice bonus feature that may prove useful in future explorations — I just don’t have a strong need for it at the moment.

To shy away from making an outright declaration as to which pedal is better (yes, it does tend to be a very much be a subjective observation), I will state that, with respects to the resulting effect/tone that I was in search of, the Boss CE-2w has a solid lead over the MXR M234 but certainly they are in the same ballpark. Each pedal has its strengths and unique implementation of controls but, when I engage the CE-2w, I feel drenched in that classic chorus; period. From Police to Nirvana, the Smiths to Crowded House, these and countless other artists and songs, the CE-2w faithfully reproduces the tones/effect that so many of us have enjoyed throughout the years. That said, considering the price difference and the added EQ and Mix controls of the M234, it is still remains a solid choice and would come highly recommended.

There is a good reason as to why the Boss CE-1 & CE-2 have become synonymous when thinking of what chorus should sound like and, in paying homage to its roots, the CE-2w successfully builds upon the well-deserved legacy of this effect.